Found in Translation

I focus somewhat on creative writing on this blog, but let's not forget about our scientific writers and editors. I recall when chatting with Dr. Laurie Anne Walden last year, she mentioned editing scientific articles written by authors whose native language was not English. Today we get to see another variation of working with linguistic challenges from a scientific perspective as we chat with Dr. Nathalie Fernandez Cubas: veterinarian, writer, translator, and founder of NFC Linguistic Services which she says is, "one of the best decisions I've ever made in my career."

Nathalie received her veterinary degree in Spain in 2007 and after graduation, moved to France where she focused on equine medicine and became fluent in French. After a year, she returned to Spain and, she says, struggled to find professional and personal stability.

"I did not know it yet, but I was about to discover a new passion."

"I gave myself some months to think about my future," she says. "During that period, I met a professional translator by coincidence who told me how difficult it was sometimes to find translators for highly specialized, scientific texts." It was then that something clicked. Given Nathalie's love of English and her bilingual skills in Spanish and French, she developed a plan. "I would study translation and interpreting at university and try to make a living from veterinary editing and translation. I did not know it yet, but I was about to discover a new passion."


On a typical workday, Nathalie spends a majority of her time translating veterinary texts from English and French into Spanish. She covers a wide range of subjects, including texts ranging from ophthalmology and parasitology to swine and poultry production, with occasional translations on topics like tourism or cosmetics. "It pushes me a little beyond my comfort zone," she says of these non-veterinary topics.

Given that veterinary medicine is highly specialized with its own terminology, it might not come as a surprise that the most common issues Nathalie encounters in her translating involve vocabulary due to the author either having scant scientific background or a human medical background, which does not necessarily cross over to the veterinary world. "As we usually say in the veterinary community, 'a cat is not a small dog' and a dog or any animal is not a human on all fours!"

It's hard to deny Nathalie's enthusiasm for her work. "Translators are not merely readers," she says "They are the best readers. They need to read between the lines, they break the texts down in pieces, they strive to understand every word, every nuance, every concept and then transfer the overall meaning to another language. Isn't that magic?"

"Translators are not merely readers. They are the best readers."

Being a linguist, Nathalie has a unique perspective on the differences in veterinary medicine, animal health, and animal welfare across many different cultures. Before she began freelance work, Nathalie was an editor in a veterinary publishing house which allowed her to work with veterinary authors across the world. "This allowed me to learn a lot about the reality of the veterinary profession in other countries," she says. "In Latin America, for example, they are now more concerned about animal welfare in production animals." This has resulted in an increase in the number of publications on that topic from those countries. "In Turkey and India, the poultry sector is a leading edge industry," she continues. "In Europe, the pet sector is very dynamic, particularly in the fields of prevention, feline medicine, nutrition, and senior medicine."

Being fluent in a language other than your mother tongue is a skill that is typically lauded by those who have it
and with today's growing global network in terms of everything from tourism to IT to yep, vet med, learning a new language in some ways can seem essential. "Languages give you an incredible opportunity of discovering other cultures and other ways of thinking," says Nathalie. "I believe it is essential to transmit to the youngsters the important of learning languages." Apart from Spanish, French, and English, Nathalie speaks a little Portuguese and says she would love to learn a Nordic language, too.

"What I like most about my job is that I learn new things every day," she says. "I am always studying, deepening, and perfecting myself on the most varied subjects. Every day is a new adventure!"

You can't argue that level of enthusiasm. Until next time, happy reading, happy writing, happy vetting.

Degrees of Learning & Writing

I'm not one to believe that things happen for a reason but it is tempting to think of serendipity as a helpful nudge in the right direction every once in a while. This past spring, I was perusing the shelves at my local Barnes & Noble, as I'm known to do on any given Friday evening prior to diving into a cupcake at their cafe to celebrate the end of the week.

CELEBRATION CUPCAKE

A recent release caught my eye: My Patients and Other Animals by Suzy Fincham-Gray. Flipping straight to the author bio, I found what I needed to know: veterinarian, author, and holder of an MFA, a degree I've been pondering for several years now. You see where this is heading.

Dear readers, I present to you my interview with Dr. Fincham-Gray.

Suzy graduated from the Royal Veterinary College in London in 2000, after which she came to the US and became board-certified in small animal internal medicine. "After almost a decade as a small animal internal medicine specialist in private practice, I was struggling to find balance in a life that was increasingly centered on my career," she says. "I made a decision to step back from practice and at that time I rediscovered writing, initially as a form of expression and then in a more structured way through the MFA program."

To get or not to get an MFA (that is, a Masters of Fine Arts in Creative Writing): that is the question for many writers, including me. What does it "get" you? Or, more bluntly: what's it good for? Is this a career move? Is it for people who want to further hone their craft in literary writing? Is it just for the literary types or is there room for those interested in genre writing? Is it a bunch of navel gazing or a gate keeper to secret literary clubs and opportunities or a way of surrounding yourself with like-minded familiars for support and creative growth? So. Many Questions.

Suzy applied to low residency MFA programs across the US and accepted an offer from the University of California, Riverside-Palm Desert which, she says, was a top choice due to the school's emphasis on the practical aspects of writing and publishing as opposed to an academic focus on literature studies. She chose non-fiction as her focused genre.

"The benefits of studying for and obtaining my MFA were many," she explains. "Expert input on my writing from professors; residencies that gave me the opportunity to meet literary agents, editors, and successful authors; and the support from the program, even following graduation, has been excellent."

Although Suzy's first published book is a veterinary memoir, she says when she began the MFA program she had no intention of writing a memoir. "My initial goal was to explore my writing and gain understanding of the craft, rather than to write a specific piece," she says. "However, in the first few months of the program I realized that most of my work swirled around my experience as a veterinarian." The first ideas of a memoir surfaced during a chat with an editor and aspects of the book evolved from there. "I wrote a proposal and sample chapters and acquired a literary agent," she explains. "We worked on the proposal for around six months and the finished proposal was purchased by Spiegel and Grau. I then began work on the final manuscript with input from my editor. The project took around five years from starting the proposal to the book arriving at booksellers."

"Those rare glimpses of the fluid perfection of writing are the reason I keep sitting in front of a blank page."

Having read several veterinary memoirs, I'm interested in how an author chooses which stories to tell. In Suzy's case she mentions having some patients that have remained etched in her memory years after seeing them; those were cases she was compelled to write about and include. "Writing was alternately frustrating and rewarding," she admits. "There were moments when I was certain the book would never be finished and others when I was surprised how the writing shaped an idea I'd not consciously formed. Those rare glimpses of the fluid perfection of writing are the reason I keep sitting in front of a blank page."

Suzy says she has cut back her days in the hospital to protect and dedicate regular time for her writing. As always, I'm interested in how a veterinarian's scientific and creative sides mesh. Suzy says for her, these two sides complement one another. "Although I sometimes dream about giving up my 'day job' to focus my energy solely on writing, I know that to do this I would also be giving up my inspiration," she says. 

Creating an overall "message" in a veterinary memoir is also something I find interesting. Some books lack one completely and read as a laundry list of memorable cases and you-wouldn't-believe-it stories, while others try to mold an overarching narrative from a life's worth of experiences. In Suzy's case, she wanted to portray veterinary life in the truest way possible in an effort to counter what is sometimes portrayed by the media. "I wanted to explore the many dilemmas--the philosophical, ethical, social and economic--that veterinarians face in their daily practice," she says. "In particular, by finding the universal narrative of caring for our loved ones who cannot advocate for themselves. I hoped to draw out a new perspective."

"Creative outlets could provide an avenue to draw our [veterinary] community together."

On Suzy's blog, she states her writing explores the role veterinarians play in the human-animal bond and in the narrative of caring for those we love when they are sick. This hits home alongside the concept of narrative medicine which is sometimes defined as the narrative between the caregiver and the patient. Used mostly with human medicine, I asked Suzy how she applies this to veterinary medicine. "I took inspiration from Atul Gawande, Abraham Verghese, and Danielle Ofri, all of whom are human doctors writing about the challenges of practicing medicine," she says. "I found when reading their work that many of their dilemmas were similar to those we face as veterinarians, in particular when approaching end of life care in patients who cannot advocate for themselves."

Suzy points out that the relationship between humans and animals continues to evolve and this relationship is arguably deeper and more significant now than it has ever been. "I think it is essential that as a community, veterinarians explore ways to discuss and express the many frustrations, challenges, and difficulties we face in practice." She points to the relatively recent revelations on the high suicide rate in the vet med profession that highlights in a way the challenges we deal with. "Creative outlets could provide an avenue to draw our community together," she says.

While still working on promoting her current book, Suzy says she is starting to gather ideas for a second. "I'm also continuing to write shorter pieces that expand on the concept of narrative medicine within the veterinary field," she says. "I would love to see my writing in the literary canon of narrative medicine alongside Atul Gawande and Siddhartha Mukherjee. There are so many areas I've yet to explore through my writing and I'm excited to see where my writing takes me over the next ten years."

And on that uplifting note, I'll leave you to it, dear readers. Until next time, happy reading, happy writing, happy vetting.

A Dose of Reality

Sometimes things just fall into place while you remain totally unaware. Fate is too strong a word here but it does feel a bit whimsical. Here's what I mean.

A month ago I came across a veterinarian on Twitter: Emma Milne from England. After reading her thoughts on various animal welfare issues and seeing that she's written a few books, I reached out to ask if she'd be interested in participating in this blog. After she agreed, upon more research I found she'd been one of the vets featured on a British reality TV show called Vets in Practice from 1996 to 2003.

Here's where it gets interesting:

I lived in England from 1998 to 2001. When my family moved there I was in high school and watched Vets in Practice religiously, wanting to be a veterinarian and all. I soaked it up. I remember a blonde vet. . . and squinting at Emma's photo now, twenty years later, I remember her from the show. My teenage years have come full circle.

Folks, I am star-struck by a veterinarian.

When I told Emma this, in self-deprecation she laughed and called herself a "proper z-lister" these days. No matter. It's all about personal connections, right?

So that's my introduction to Emma Milne, veterinarian, author, speaker, and champion for animal welfare. Let's get to know her a little better, shall we?

Emma Milne

As a new veterinary graduate, Emma entered the work force in front of the entire UK while appearing on VIP, which followed a handful of vets in their daily lives, showcasing events ranging from treating animals to personal issues. The US (and the UK) has more of its share of reality TV now, including some vet shows like The Incredible Dr. Pol, which come with their own controversies. I asked Emma about her time on TV.

"In general I loved my time on VIP," she says. "It gave me opportunities that I never would have had.  Also in the sphere of welfare, it has let me reach many more animals and owners than I perhaps might have in practice. At the time, the show was very different to anything we'd had. We were all new graduates so of course we made mistakes and there were older vets who felt the show was detrimental and that it 'demystified' the profession. I am a huge fan of honesty and vets are only human. I think any show that shows the strains and stresses placed on us is good. My main problem was that the show didn't tackle the gritty subjects I wanted to tackle like tail docking, hunting, farm issues, and pedigree health issues. It was a bit too fluffy. In fact to this day I think there is a huge scope for some really hard hitting veterinary shows." 

"I am a huge fan of honesty and vets are only human. Any show that shows the strains and stresses placed on us is good."

Subsequent to her time on VIP, Emma has been able to take advantage of numerous media outlets as co-presenter on various TV specials, doing guest appearances, and as a guest expert, judge, and columnist. Emma says this has helped enormously in getting the word out about animal welfare. 

"I think VIP has been incredible for my welfare opportunities and I always think people in the media should do their utmost to use it for the biggest positive impact they can, be it for animals or humans," she says. "The pros are huge, like the satisfaction of changing perceptions and meeting incredible and inspiring people. The cons are that it's never easy to get across everything you want to, especially in short, live TV slots. Even the written word is hard to disseminate unless you have a huge, rich publisher that can market you. The biggest con is probably the hate and vitriol that I get for things like my stance on hunting with dogs and now my views on pedigree health issues. The lovers of our most extremely diseased breeds can be unbelievably hurtful and I've had all manner of threats and comments. Most of the time I'm OK and I know I'm doing the right thing but I am human, too, and sometimes I hit some real lows and my friends and family see the impact of that."

She adds, "As for resonating with the public, I think that being down to earth and honest helps. I had to work very hard to get to vet school. My family was not at all well off and it was all done on sweat and tears. I think (and hope) that many people view me as someone they can trust."

Emma is steadily growing her list of book by-lines along with her media experience. Her first published book, The Truth about Cats and Dogs (2008), tackled pedigree health issues. She followed it with Tales from the Tail End (2013) which was more a veterinary memoir.

"TFTTE came about purely by accident," she says. "I had written The Truth about Cats and Dogs before and as an author and a vet, I had been approached to give a pre-publication quote for another book. During the discussions around that the publisher asked me if I would be interested in writing a book for them and suggested a compilation of humorous/emotional stories from my time on TV and as a vet. I loved the idea. I've done so much serious, sad stuff it was actually a really welcome relief to do something light-hearted. All vets have plenty of such stories so it was just a matter of sitting down and trying to remember all the ridiculous, happy, funny, mad, and sad things that had happened. It was the easiest book to write by miles!"

"Children can change the world and I really mean it. They have the power to change how future animals are kept."

Emma has another series out for children, called The Pet Detective Series which she says she dearly loves. This series teaches kids about the five basic welfare needs of pets. "I was a trustee of a charity called the Animal Welfare Foundation for a long time and helped write some of their client leaflets, all using the five welfare needs as a template," she explains. "I have long believed that happiness is just as important for our pets as healthiness and the social and behavioral needs of pets are so often neglected. I’ve also worked with incredible charities in poorer countries and have seen how they use education and children to change long-standing traditions. I decided that teaching children the five basic welfare needs and trying to get them to empathize with animals was the way forward. Children have a natural affinity for animals and the books try to get children to think about how a rabbit might feel lonely in a hutch or a cat might feel threatened by other cats or a dog might feel sad being alone all day. I say at the end that children can change the world and I really mean it. They have the power to change how future animals are kept much more than we vets do."

"After twenty years as a vet and twelve years in practice I am, frankly, outraged."

 

Most importantly, perhaps, is Emma's work on animal welfare issues. Most recently her work has had a strong focus on pedigree dog health issues, specifically brachycephalic breeds. "I think the arrogance of humans and our treatment of animals is often appalling," she says. "As for pedigree health I am absolutely mortified. The fact that we have got to a point where some people feel it is acceptable to deliberately select for deformity and disease in the name of the breed standard absolutely beggars belief. That may sound unbelievable to many people but it’s true and it’s why, ten years after my first book on the subject, I have decided to re-write it. If anything the health issues have become worse, especially with the exploding popularity of flat-faced dogs and quirky cat breeds. Breeding animals that are likely to suffer because of their body shape is fundamentally wrong. Even at uni when we had exam questions on breed-predispositions I thought it was odd that everyone just seemed to accept it as normal. After twenty years as a vet and twelve years in practice I am, frankly, outraged." 

 

"The fact that we have got to a point where some people feel it is acceptable to deliberately select for deformity and disease in the name of the breed standard absolutely beggars belief."

Emma's next book, Picking a Pedigree? How to Choose a Healthy Puppy or Kitten, is scheduled for publication in September of this year. As far as how the UK is moving in terms of animal welfare issues, Emma mostly admits it's a mixed bag. "Some good things are happening in the UK with welfare like the banning of wild animals in circuses, compulsory CCTV in slaughterhouses and the like but we also had the utterly ridiculous backward step in Scotland of the reversal of the ban on tail-docking," she says. "The fact that money not welfare and expert opinion drives these political decisions is a constant disappointment. Rumor has it though that we are about to see a huge overhaul of breeding and puppy sales laws which may include the equivalent of the Qualzucht or torture breeding laws. This would mean that you could prosecute individuals for producing litters that are likely to suffer due to extreme conformation. This could be absolutely huge as our laws have never covered future offspring. A test case would be very interesting indeed. 

"I'd love the western world to stop being so obsessed with breeds and start thinking about dogs as a species. Dogs are such wonderful animals. They should be healthy, proportioned, and happy. Health and temperament should be way above looks on the breeding priority list."  

"Dogs are such wonderful animals. They should be healthy, proportioned, and happy."

For someone who has worked diligently to be an animal welfare advocate, it was only natural for me to ask Emma how others can try to make positive impacts as well. 

"The biggest thing I would say is stick to your guns," she says. "Don’t lose your ideals and don’t be afraid to take some flak to stand up for what you really believe. And finally if any of you feel so inclined please join the global voice of www.vetsagainstbrachycephalism.com. We have 53 countries represented now, many organizations and practices, and almost one thousand individuals signed up. It is a standing open letter to show the global level of expert opinion that extreme brachycephaly is wrong on welfare grounds. Have a read of the homepage and sign up if you agree."

On that note, we'll see you soon, dear readers. Happy reading, happy writing, happy vetting. 

Small Fiction, Small Truths

Over the past several years, short stories have become my fiction outlet de jour, both for reading and writing. The stack of to-read books on my nightstand (ever-growing and ever-threatening my safety as the tower sways) has noticeably switched from predominantly novels to half novel and half short story anthologies and dammit, who can blame me? Short stories are so good: a captivating chunk of creativity, just enough to sate the appetite without the commitment to full-out novel-length development. Plus, the language has to be water tight. What a challenge to write, for sure. And what a delight to read.

Imagine my excitement when I recently came across Dr. Ray Morrison. Ray is a small animal vet practicing in North Carolina and in his spare time, he writes. He writes short stories. In fact, in 2012, he had his first collection published: In a World of Small Truths by Press 53. Naturally, I asked him some questions and happily, he answered.

Ray says his writing has had two distinct phases split apart--not surprisingly--by his endeavor to become a vet. "As a young teenager in the early 1970s I loved to read science fiction and horror," he says. "Yet at the same time I'd also spend hours reading classic short stories. In high school I discovered creative writing and although by that time I'd known I wanted to become a veterinarian, I would write short stories and poems for fun. In college, I read a lot of Raymond Carver and Flannery O'Connor so my affection for short fiction solidified."

Although running the pre-vet gauntlet as an undergraduate offers little time to explore interests other than science, Ray says any time he had an elective opportunity he'd take a creative writing class. However, once vet school began in earnest, followed by graduation and marriage, the first stressful and tumultuous years of practice, then buying and managing his own clinic (with his wife who is also a veterinarian) created a gap in creative production. Happens to the best of us.

"Writing was the farthest thing from my mind in those days," Ray says. However, as their practice grew, Ray and his wife were able to hire associates. This meant a bit more breathing room for the practice owners. This is where Ray's second writing phase began.

"I penned a dreadful novel that I will always love because it served to get me writing again."

"One evening, while having dinner with some friends, one of them mentioned he was writing a novel. It was literally like something snapped in me when he said that. I want to write a novel, too! I thought. Which I did. Over the next two years, I penned a dreadful novel that I will always love because it served to get me writing again. Upon completing this massive endeavor, though, I was slightly intimidated by the thought of spending another two-plus years on another novel. Another friend said one day, 'Why not just write a short story?' And that was that. I found what I loved and have to date written more than a hundred short stories, nearly half of which have been published."

Ray has since taken serious steps in his writing career, starting with attending writing workshops and fiction classes. After winning first place in a short story contest held by the publishing company Press 53 in 2011, Ray was asked--by the same publishing house--if he had enough stories for a collection and, by golly, he sure did. In November of 2012, In a World of Small Truths was published by Press 53.

Ray Morrison, DVM

There's a wonderful interview of Ray done by TSP, the blog of the Story Prize (read here) where Ray talks about how his writing focuses on everyday truths. This sort of writing about everyday things--but somehow making them incredibly rich--reminds me a bit of Elizabeth Strout and her book Olive Kitteridge (which is lovely, go read it). I asked Ray how he does this.

"The most important thing I have learned about writing is that, as the famous saying goes, 'writing is rewriting.' Are some people naturally better writers than others? I think so. But it is, at the end of the day, a craft; one that requires learning and practice. If there is any aspect of my ability to create vibrant descriptions, it is my knack for observing people and translating what I see into words. But rarely, I think, do I get it right the first time. That takes revision."

"Animals often find their way into my stories but I am not another James Herriot."

I'm always curious about how writers (or artists or musicians) balance their veterinary profession with their creative calling and how, if at all, one might influence the other. Ray elaborated on his own balance. "I would say the biggest impact that spending thirty years as a veterinarian has had on my writing is that when I write it is my escape from that side of my life," he says. "People, especially my veterinary clients, when they find out I write short stories, nearly always ask if I write 'animal stories.' I answer that animals often find their way into my stories, but I am not another James Herriot. On the other hand, everything I've learned as a vet has accumulated in the well of experiences I draw on when I write. My career in veterinary medicine, and the thousands of people I've met during it, can't help but influence how I create characters, even if the stories themselves are not specifically about veterinary things. I have written exactly three stories, all unpublished at this point, with veterinarians as protagonists or main characters. I struggle with them, however, because I think I end up writing about me and not the fictional character. I like to stay out of my stories--bad things usually happen to my characters."

Ray has a second collection of short stories coming out in May this year, so keep your eyes peeled. I asked about any novels in the pipeline. Here's how he responded: "I rarely get the bug to write a novel, but once in a blue moon I toy with the idea. Who knows? I'd like to think I could write a (good) novel. But for now I still am too much in love with short stories."

Until next month, dear readers: happy reading, happy writing, happy vetting. 


  

Poetry for Pets

Poetry is . . . what is poetry? High school English class taught us it doesn't have to rhyme and the work continually featured in literary and poetry magazines shows us poetry can almost be damn well anything as long as someone believes in it. OK, maybe that's getting a bit too Disney but in all seriousness, poetry is still a bit of a mystery to me yet I find myself continually drawn to it, trying to understand, trying to learn, and in the process of it all, collecting more and more pieces that I like. It's like broadening one's palate. On that note, I was delighted to snag Dr. Marjorie McMillan to ask her about a recent book of poetry she's published. Marge, owner of the Windover Veterinary Center in Walpole, MA, and board-certified veterinary radiologist, has recently published Cold Wet Noses, Whiskers and Tweets, a book of poems for and about animals. Here's what she had to say. 

"I have been seriously writing poetry for about five years," said Marge. "I belong to a poetry writing group and we meet to encourage each other and critique each others' work. Much of my poetry is about nature and animals and I finally had enough poems to publish a collection. I also wanted to be able to convey to my clients and the general public some of the emotions that go along with being a veterinarian."

"I wanted to convey to my clients and the general public some of the emotions that go along with being a veterinarian." 

Most people have an inclination toward a particular breed of pet for a plethora of reasons. I wondered if a certain favoritism found its way into Marge's poems, but she emphasized the individual. "It's not so much a particular species or breed," she said, "but what inspires me as a poet is a certain animal or situation or emotion that I want to express in powerful language." Evoking emotions in those who read her poems is the aim. 

Tackling the subject of rhyme in poetry, Marge said she's in it for the challenge. "I like to write in rhyme and meter; it's harder than open style, so I like the challenge, but not all topics lend themselves to rhyme and meter. It's hard to get it really right like the great poets. Most people who are not serious readers of poetry seem to prefer poems that rhyme."

Given the intricate, intimate, and sensitive nature of most poems, it seemed to me there must be a certain level of empathy required to write poetry. Herein lies my connection between the creative arts and veterinary medicine because to truly connect with patients and clients, a veterinarian (this also applies to physicians and others in the wide spectrum of medical sciences) should also be highly empathetic. I asked Marge if she thought attributes of poetry writing crossed over into the successful practice of veterinary medicine and vise versa.

"Poetry allows me to connect on a deeper level with clients and it also gives them insight into the depth of my feelings. It creates a stronger veterinarian-client bond." 

"There has been much published lately about the mental health of veterinarians and the suicide rate," she said. "Poetry allows me to process the very difficult emotions around ending animals' lives, the difficulty of dealing with angry and sometimes impossible clients, and the joyful experiences. It allows me to connect on a deeper level with clients, especially around the loss of their pets, and it also gives them insight into the depth of my feelings. It creates a stronger veterinarian-client bond." 

This connection between the sciences and arts is occasionally nurtured at graduate school; see the elective course at North Carolina State University's College of Veterinary Medicine featuring writing, reading, and discussing poetry, short stories, and novel excerpts in order to "help engender empathy for clients, encourage moral reflection, and sustain the joy of being a veterinarian." See VetWrite's interview with Dr. Elizabeth Stone for more on that. Another example is the Trent Center for Bioethics, Humanities, and History of Medicine at Duke University. 

What's more is Marge's fulfillment from having others read her work. "A poem isn't a poem until it is read by someone else," she said. "Writing poetry has allowed me to connect in a deeper and more spiritual way with animals and nature."

What's extra special about Marge's clinic, Windover Veterinary Center, is that the creativity does not stop with her. Cathy Symons, a certified veterinary technician and certified canine rehabilitation professional is an associated specialist with the clinic and has written a book titled Blind Devotion: Enhancing the Lives of Blind and Visually Impaired Dogs. Joan Powers, Windover's hospital manager, was the photographer for Cathy's book. "I have a wonderful staff of creative women," said Marge. "The writing is a way of helping clients and animals in a right brain way. It allows us to step out of our usual medical roles and left brains and relate to clients in a different way. I also think it allows us to listen differently and hear beyond the factual medical history." 

Marge has a second collection of poetry in the works as well as a book half finished about her lawsuit for gender discrimination. She also confirms that her favorite poet is indeed the wonderful Mary Oliver. 

Until next time, dear readers: happy reading, happy writing, happy vetting.

Becoming a Writer.... via The Beach Boys

One aspect of writing that people, including writers themselves, often don't realize or appreciate is that the art takes time. Sure, there are writers (and journalists of course) who work to a tight deadline, turning out excellent copy like a riverboat chopping at the Mississippi. But many writers, whether fiction or nonfiction, need weeks, months, years (dare I say decades--Donna Tartt, I'm looking at you) to piece together the bits of a puzzle that inevitably will make the final product. 

To that point, on a much smaller scale, I first read about veterinarian-author Dr. Jim Murphy in an article from Veterinary Practice News late last fall. Jim had just published his first book, Becoming the Beach Boys, 1961 - 1963. It wasn't until late spring of this year that I took the opportunity to talk with Jim about his writing and it wasn't until right now that you're seeing the fruition of our conversation. 

So it goes.

On a much grander scale, it took Jim eight years to write this book, which has been described by the author as "...an academic look at the band's origin," including over 80 interviews, twelve appendices, and 1,100 foot notes. 

Aren't you curious how and why Jim did this, while still finding time to practice veterinary medicine in DC? I was. So I asked him.

"I was still practicing part-time," Jim says. "On days off I would try to write as much as I could." On work days, he would write at night. "I had charts on my wall, Post-It notes all over the place--where should I start, where did this person or that person enter the story. You know, writing is really about solving problems. I had three dogs while I was writing the book. Sometimes, before writing, I'd take them for a walk in the park. It was so relaxing and I would think about the problems I was having and more often than not the solution would just come to me."

"I loved it because you learn so much when you write a book, especially that first book." 

Jim was candid about how much time the sometimes-tedious research process took. "Writing non-fiction is a lot of research, involving digging into the Library of Congress, making phone calls, finding people, going through old high school year books," he says. "That part is really time consuming, really taxing. You spend hours and hours and hours which is ultimately productive but can be a drain. You've got to really love that sort of detective work. Then doing the interviews and figuring out what part of it can I use, then writing it up, transcribing--all of that. It's really a different type of writing than fiction."

Dr. Jim Murphy

As Jim continued to write, his draft grew. And grew. Then grew some more. At one point, it clocked in at 180,000 words. "It was crazy," he says. "I had all kinds of side stories. I culled a lot of that stuff, saved it and included it on the website for supplemental reading for diehard fans. But I loved it because you learn so much when you write a book, especially that first book. And I looked at it like, OK, this is cool, I'm learning and I'll forgive myself for making these mistakes. And if I write another one, whether it be fiction or non-fiction, I will have learned a tremendous amount about this process and I won't make these same mistakes again." 

"Life is short, time is finite, you never know how much more time you have so there is nothing, in my opinion, that is more important than doing something that brings you joy."

Dear readers, I cannot fathom working on a single project for eight years. Maybe I have a fear of literary commitment. A copy of David Foster Wallace's Infinite Jest waits, unread, on my bookshelf. And that's just reading. But when Jim explained his reasoning behind keeping his nose to the grindstone, it made sense. "The thing about The Beach Boys book, in everything that's ever been written about them in dozens and dozens of books over the last 55 years, no one had gotten the origin story correct," he says. "And I felt like, I can do this. I think I can find some of these people. That's what kept me going. There were times when the structure was all messed up and I was moving things around, backing up every night, frantic I was going to lose something because the document was so big and the only thing that really kept me going was: I think I can do this. I think I can see the light at the end of the tunnel."


"[Writing is] frustrating, it's difficult, but it's so fulfilling when you get the words right."


At the end of the day, Jim says it comes down to doing what you enjoy. "That's something important in writing," he says. "Life is short, time is finite, you never know how much more time you have so there is nothing, in my opinion that is more important than doing something that brings you joy. When I was writing The Beach Boys book, there was not a day when I could not wait to sit down, turn on the computer, crack my fingers, have a cup of coffee, and tackle it. I was like a kid on Christmas morning. It's frustrating, it's difficult, but it's so fulfilling when you get the words right."

So what's on Jim's to-do list now? Fiction. He's working on a novel. "It's animal related," he says. "It's inspired by the [veterinary] profession. And it's so different. I don't have to interview anybody, and I'm free to create whatever I want to create. What I'm finding now, I kind of like this [fiction writing] because you can be as creative as you want. It's an open world. It's liberating. You can go anywhere with it."

Dear readers, I hope you're going where you want to go in your own reading and writing. Until next time, happy reading, happy writing, happy vetting.