|Dr. Pat Frederick|
Naturally, Pat chose to pursue an education in veterinary medicine with a focus on horses. "I was part of a five member surgery team in veterinary school," Pat recalls. "We were given a unique class while the small animal surgeries were filled with the other 44 students. Of course, we did small animal surgery, too. We had to argue to get the horse experience." Pat graduated from Washington State University's vet school in 1966.
|"Amigos", by Pat Frederick, DVM|
"When we returned to Arizona [in 1991], I had ceramic sculptures which were fragile. I was fortunate to get private tutoring for bronze sculpture. As I learned how much welding the bronzes required, after casting, I took a welding class and was hooked. Steel was not only more available but cheaper and I thought easier to sell."
Pat stopped practicing when she turned 63. It was then that she was able to devote herself completely to her art. Prior to this switch, Pat held certifications in chiropractic medicine, holistic veterinary medicine, and acupuncture. "I have always wanted to 'do art' since high school," Pat says. "I liked biology, too, and science in general, but the art 'thing' was what I tried to make time for as our children grew."
However, it was only after veterinary retirement that Pat was able to immerse herself in her art. "I knew that as I aged I could someday misjudge a horse and get hurt, so I decided to quit veterinary work and start a new job. There is a pretty high learning curve in Art Business which I study seriously. I have shown in many galleries, attended workshops, teach, and generally practice, practice, practice."
"Practice, practice, practice."
Pat's lifelong love of horses is evident in her steel pieces, as a vast majority of her sculptures are of the equine species. Pat's appreciation for horses, however, goes much further than the skin deep beauty of the creature. "Whenever anyone gets on a horse they are immediately on top of the world," Pat says. "Not only are we above the rest of the humans but we are also imbued with a heroic feeling and have an energy under us which is thrilling and useful."
|"Tango", by Pat Frederick, DVM|
|"Good Luck", by Pat Frederick, DVM|
"The time involved encompasses the drawings and research," Pat explains. "A couple of months of three to six hour days and four to five days per week." A step by step process, Pat likens sculpting to drawing, but with steel, not graphite.
Another example of a deep rooted message within Pat's work is a series she calls "Hippophagy." A result of Pat's desire to comment on the debate of horse slaughter and eating horse meat, these pieces are a way to evoke thought and self-reflection among horse owners and the choices they make that may or may not contribute to horse overpopulation. "People are so polarized by 'eating' horse and don't seem to realize why US horses end there," she says. "I felt I needed to call attention to the work in order to get it noticed." Next to the piece as a whole, Pat places a long dialog, called "Menu."
|"Menu", by Pat Frederick, DVM|
|"Dining Out", by Pat Frederick, DVM|
|"Friends Dying", by Pat Frederick, DVM|
Pat draws inspiration for her pieces from her memory and things she has seen. For her piece "Corowa Sheila", Pat was driving through a town called Howlong, in New South Wales, Australia. "I saw a young girl lying on her horse, obviously waiting for a friend," she says. "The horse was appreciating the shade of a gum tree."
|"Corowa Shelia" by Pat Frederick, DVM|
In another piece called "Hope," Pat recalls a horse show she attended. "I was getting ready to show and saw a horse standing in a single wire 'stall,'" she says. "It was constructed with the little nylon posts which hold hot wire. He was a big, lanky Thoroughbred and the girl who left him there had put a bucket just out of reach. He was stretching with every sinew of his body to reach the bucket without stepping out of the enclosure."
|"Hope" by Pat Frederick. DVM|
Stay tuned for July 6 for the next post.